Restricted Code is a Glaswegian post-punk band that existed from 1978 to 1981. Restricted Code was formed by Tom Cannavan and Frank Quadrelli, school friends from Easterhouse in Glasgow. The pair had written songs together and played in various school bands before discovering punk music and going on to create Restricted Code. The band released three records, recorded John Peel and other BBC Radio sessions, and toured extensively.

The original line-up:

Tom Cannavan, vocal/guitar
Frank Quadrelli, guitar/vocal
Kenny Blythe, bass/vocal
Robert McCormick, drums
replaced by Steve Lironi, drums

2018

After a 36-year hiatus, three of the original four members reformed, including songwriting partnership Tom and Frank, and bass player Kenny Blythe. Drummer Robert now plays keyboards, so the band brought in old friend Les Gaff, formerly of fellow Glaswegian band, Positive Noise, on drums. A few months later, and completely by chance, they bumped into Robert outside a rehearsal studio. They invited him along to jam and what do you know? The Codes became a five-piece, with keyboards in the line-up for the first time.

The 2018 line-up:

Robert McCormick, keyboards
Frank Quadrelli, guitar/vocal
Les Gaff, drums
Tom Cannavan, vocal/guitar
Kenny Blythe, bass/vocal

A stream of new material is emerging, and rehearsal sessions are taking place regularly. There are plans to record and, who knows, maybe even play a gig or two…

The story

School friends Tom and Frank had played together in bands since they were 16 or so. Influences were pretty eclectic from punk in the mid- late-70s (big Sex Pistols and Clash fans) to “new wave” (Talking Heads, Magazine, etc.) to funk and soul (Chic, Otis Reading, etc.). Tom and Frank wrote the songs together, the band arranged them.

The band gigged extensively, mostly around Scotland, and in 1979 got together with fellow Glaswegian bands Positive Noise and The Alleged to release a self-funded EP called Second City Statik which enjoyed considerable critical acclaim. Even as Second City Statik was being distributed, the band recorded further demos in search of a record deal. In 1980 they got a call from Bob Last, manager of The Human League and the man whose Fast Product label released seminal records by The Gang of Four, The Mekons and Joy Division among others. Last loved the demos, and after a showcase gig arranged by Last to see the band live, he became their manager and signed them to his new record label, Pop:aural.

Restricted Code release two further records on Pop:aural, and toured extensively, including supporting The Human League in the UK and Europe and a nationwide British tour with the Fire Engines, label-mates at Pop:aural, with the bands taking it in turn to headline each night. Aged only 16 at the time, the increasing gig and touring committments led to Robert’s decision to quit the band. Steve Lironi was recruited to replace Robert on drums.

Restricted Code enjoyed fantastic critical success and something of a ‘cult’ following. Paul Morley in NME picked them as “band most likely to…” in 1980, Sounds music paper claimed they delivered the “best gig of 1980”, and there were numerous rave reviews and extensive features in magazines including The Face and Melody Maker. As one of the hottest up-and-coming bands around, one memorable gig at The Embassy Club in London saw a who’s who of musical faces in the audience including John Peel, Debbie Harry, Frank Zappa, Julian Cope and members of the Sex Pistols and dozens of other bands. There were also, as one music magazine reported at the time, “dozens of record company A&R people.”

Despite the critical acclaim, an extremely loyal fan-base and universal praise for their live gigs, the band didn’t sell the volume of records that they, or their record company, expected. The single First Night On topped the NME indy charts – but that didn’t mean huge sales in 1980 – and while Love to Meet You sold well, it didn’t break though into real chart success.

Discography:

Second City Statik EP, 1980
First Night On/From the Top, 1980
Love to Meet You/Monkey Monkey Monkey 1981

BBC Radio:

John Peel session, 1981
BBC Richard Skinner session, 1981

The band split up late in 1981, perhaps down to the pressures of not acheiving real breakthrough success despite such critical acclaim.

Post Script:

Each of the members formed or joined other bands in and around Glasgow and Edinburgh, with some success. But life moved on, with the members developing careers in everything from teaching to aircraft engineering. It took a further three decades before Restricted Code got together again. They say: “The truth? It’s like we have never been apart.”